Friday, 26 February 2010

Ethnic Heritage Ensemble - The Continuum (1997)

Genre: Jazz
Format: Flac + cue + log
Released: 1997
Label: Delmark

01. The Continuum ElZabar
02. Well, You Needn't Monk
03. Ancestral Song ElZabar
04. Ornette ElZabar
05. From Whence We Came ElZabar
06. Chatham Dirge ElZabar
07. All Blues Davis

By John Murph
Percussionist/composer Kahil El' Zabar's two ensembles, the Ethnic Heritage Ensemble and Ritual Trio exemplify the AACM's credo: Great black music, ancient to the future, with these two excellent releases. While his 20-year-old Ethnic Heritage Ensemble explores the communal polyrhythms of Africa, the 18-year-old Ritual Trio extends that tradition by engaging in democratic freedom swing.

On The Continuum, the EHE introduces two newcomers, saxophonist Ernest Dawkins (replacing Ed Wilkerson) and percussionist Harold Murray. With the addition of Murray, the group yields both a fuller sound and surprisingly calmer rhythmic pulse, which frees Dawkins and trombonist
Joseph Bowie to deliver more elongated melodic statements. The result is an amazing tribal jazz
record that could rival any drum & bass track, hands down. Despite the smoother fluidity, The
Continuum also amounts to one of the EHE's funkiest and most accessible offerings of recent times. On the thumping "Well, You Needn't," El'Zabar and Murray lay down a head-nodding groove in which Dawkins' peppered alto and Bowie's smearing trombone unleash smothering, yet cogent solos. The same is true for the infectious title track and their imaginative reading of "All Blues." Dawkins' bittersweet tone and economical phrasing offer a nice contrast to Bowie's explosive, and at times effusive outbursts. El'Zabar exhibits a more restrained, yet focused level playing which also heightens the sheer enjoyment of this recording.

Comparatively, The Ritual Trio's Jitterbug Junction is a more conventional jazz offering, but
no less rewarding. El'Zabar drives this ensemble with blistering free-bop intensity, while tenor saxophonist Ari Brown alternates between subdued statements and passionate wails. Bassist
Malachi Favors keeps the hyperkinetic activity together with his steady basslines. From the
explosive opening of "From Whence It Came" to the soothing Coltrane tribute, "One For John,"
the Ritual Trio reclaims freedom swing's lyrical essence that is so often obscured by meaningless avant garde clich s. Although El'Zabar's compositions tend to be sparse in design, their simplicity still creates a sense of suspense and excitement.

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